Sunday, July 23, 2017
Sunday, July 16, 2017
Science studies scholar Bruno Latour is fond of the film "Life of Pi" for the metaphor it provides for our current predicament. The main character of the film, Pi, ends up in a lifeboat with a tiger, and not a friendly one. Though Pi builds a raft to give himself distance from the tiger, he must still tie the raft to the lifeboat which holds all the supplies--food, fresh water, and, as we see later, flares. Ultimately, the destruction of his raft forces him to return to the lifeboat and find a way to live with the tiger.
In "Life of Pi" there is no peaceable kingdom like the one depicted by painter and Quaker minister Edward Hicks in the 62 surviving versions of his composition of that name. In "The Peaceable Kingdom" predator lies down with prey and no harm results--a reference to verses in Isaiah depicting an age in which "[t]he wolf also shall dwell with the lamb, and the leopard shall lie down with the kid; and the calf and the young lion and the fatling together; and a little child shall lead them."
In "Life of Pi" viewers are constantly in a state of anxiety about Pi's fate. The tiger cannot be tamed. And so it is with the biosphere as we enter the Anthropocene, a geological era defined by the large impacts of humans on the Earth and its cycles. As a post-Enlightenment culture, we have long believed that we are now free of the tyranny of nature. We can learn its ways and master it through our knowledge and ingenuity.
Sunday, July 09, 2017
Syfy channel's political/military thriller "The Expanse," set hundreds of years in the future, seems eerily resonant with our own era. The two major powers of the solar system, Earth and Mars, have been locked in a cold war for decades. Exploited populations working and living in the asteroid belt--an area that supplies crucial raw materials to both empires--become the flashpoint for what could turn out to be a civilization-destroying hot war between the two imperial powers.
As it turns out, projecting the centuries-old imperial expansion project here on contemporary Earth into outer space is really no stretch at all. There is frequent coverage in the media today of schemes for landing humans on Mars and establishing colonies. And, there is also talk of extracting resources from asteroids. Empires need raw materials and when they run low, those empires, whether they are political or merely economic, seek new sources of supply.
But here is where "The Expanse" comes unhinged. Engaging in regular interplanetary flights requires a lot of energy. Rather than using elongated journeys powered by the gravity of planets to sling one's ship toward its destination (in an effort to save fuel), the ship captains of "The Expanse" burn a lot of fuel to take more direct routes. (The fuel seems like conventional rocket fuel, but we'll assume that's not the case.)
Sunday, July 02, 2017
To a person alive today it is hard to fathom that the ancient Greeks regarded themselves as living in an age of decline. These are the people who gave us the philosophers Socrates and Plato, the playwrights Sophocles and Euripides, the mathematician Pythagoras, the scientist and polymath Archimedes, and the first person to formulate atomic theory, Democritus. These are the people who designed and built the Parthenon and created the sculpture we so admire today in our museums. And yet, the ancient Greeks believed that the Golden Age, a period of unprecedented peace, prosperity, and cultural achievement, already lay deep in the past.
A friend recently asked if we who are alive today could bear to live in such an age. Our modern lives are premised on the idea that tomorrow will not only be different, but also better. He said this attitude has made us inattentive. We feel we don't have to pay attention to the details of life because we know their destination in advance, namely, progress.
In the sciences we speak of progress--greater knowledge, better instruments, new investigatory techniques, more comprehensive theories. But we rarely speak of progress in the arts. We tend to believe that art changes, while science advances. We do not think of James Joyce's novels as new and improved versions of Thomas Hardy's. We simply say that they are different.